Ayse Balko

This is my attempt to be invisible in a city. Ended up accumulating thousands of photos. These are random selection. GALLERY

Toast Magazine Review http://www.toastmagazine.net/uncategorized/countless-the-riverside-22512/ COUNTLESS @ RIVERSIDE Aysegul THORNETT’s above the bar gallery show was billed as a step into the subconscious mind. Oil paint, acrylic and pastel create the impression that, with this show, I have perhaps stepped into the dreams of a mad woman.  This Sheffield based painter, sculptor and performance artist uses canvas and cardboard to display the inner workings of a mind that is searching to find a balance between the culture she was raised in and the one that she now lives and works within.   The Riverside endeavour to support the local art scene and its upstairs room compliments the works on show. Its white space, flowing river and a smattering of locals who are eager to have a chat about the arts, enriching the works as only our city knows how.   The jumble of ideas collide and contrast resulting in works such as Loverman; a ghostly and alluring piece which is offset aga

2 weeks ago on Saturday, I did long and deep stretch. I felt my body wanted to do so. It felt good for my lower back and my groin area first until I went out for a run at the Mill House Park. I literally could manage to do half an hour jog and my right hip was in agony. It was the weirdness sensation in my inner leg and outer hip join. From the inside of my foot to off the knee, slightly inside towards back of the knee, there was this pain as if my muscles are being torn apart with each step. I had to walk back home under the rain gave me an insight on how the muscles are connected from my lower back to my foot. The first attempt to do some moves was last Wednesday on 26th November at the Bank Street Arts gallery with Herve and his alto sax. Although the week before Herve's reiki session eased my pain, my movements were restricted I dance and paint with my bare feet with live improvised music as one of my ongoing projects. Knowing I have limitations draws me back in at the

In the bases of being a moral Refugee. Being a refugee is not being a victim. As a refugee, you can empower yourself by believing your power, inner gentle strength and uniting with positive attitude organisations and people. You can find your way out from undesired circumstances. The road for empowerment is from accepting the situation you are in, not in a victimised way but in a clear headed, focus minded, looking for solutions and willing to carry on with always positive attitude to reach the destination. Even though being a refugee is a catastrophic life changing/transforming state/experience, you have to have right attitude to get over it and put your life into its rail. Refugees are generally victimised. The power to change anything comes within and let no fear and victimisation enter there.  Believe you can make a difference in your life. First have a clear look at where you are and then starting moving towards where you want to be without any hesitation . Remember,

For all I know is, how we move, how we walk, how we breathe, how we stand is who we are... Who we are is a collection of personal interpretations of experiences we collect into our physical and non-physical-selves. Our physical movements create three dimensional patterns in the ether,air. As I know, how we move is who we are,  it means we create patterns of who we are in that particular moment of space and time, because we are also in continuous change and growth.   Our environment and outside forces have influences and effects on our emotions & thoughts in that specific frame of time. One of the most effective of these forces is music.  Music travels in the ether in the form of sound waves, as we all know. This is the root of <a href="http://aysegulthornett.com/2014/01/start-of-new-commissioned-piece-journey-of-belonging/" title="New Project, Commissioned by Journeys Festival, ArtReach: “Journey of UnBelonging”">"Journey of Unbelonging&quo